Bertolt Brechts View on the Function of Theatre

Bertolt Brechts View on the Function of Theater Bertolt Brechts see on the capacity of theater was that it ought to incite its crowd to change. The epic theater, Karl Marx and German chiefs Max Reinhardt and Erwin Piscator were all motivation for Brechts hypothesis on the social capacity of theater. (2004: 709) Brechts expositions Theater for Pleasure or Theater for Instruction and The Modern Theater is the Epic Theater obviously plot his comprehension of what epic venue is and how it ought to be utilized practically speaking. In the two papers, Brecht clarifies what makes the epic performance center unique in relation to current and emotional theater and talks about the procedures accessible with epic theater and the impacts they can have on the crowd. When looking at his play Mother Courage and Her Children to the two expositions, plainly Brecht has utilized the papers nearly as rules to compose the play and set up his speculations on epic auditorium as a regular occurrence. Mother Courage and Her Children is an amazingly ordinary Brechtian play as it contains all the components that Brecht needed to remember for his plays so as to introduce his new type of theater which he accepted had a more noteworthy social capacity. One of the most clear instances of Brechts expositions being incorporated in Mother Courage and Her Children is Brechts utilization of account rather than the plot. Every scene starts with an account portrayal of what will occur in that scene, and the play itself begins with a preamble which presents the focal character (Mother Courage) and uncovers what the play is about. In spite of the way that there is a storyline going through the play, the account style connects to Brechts point of not allowing the crowd to turn out to be genuinely appended to the characters. The manner by which the play bounces with every scene keeps the storyline general and attached more to the more prominent get-togethers running all through the play instead of single, singular occasions in a specific scene. Having gone through quite a bit of his time on earth in Germany and encountering two universal wars, it should not shock anyone that a large number of Brechts plays, including Mother Courage and Her Children, highlight war as the abrogating topic of the play. Brecht accepted that war was a continuation of business by different methods. †¦ Brechts hypothesis on theater implied that he didn't need his crowd to genuinely understand the characters in front of an audience. Truth be told, Brecht intentionally made characters which would be dependent upon analysis from the crowd. So as to welcome this dynamic as opposed to aloof reaction from the crowd, to incite a response, Brecht ingrains qualities in his characters which will in general make the crowd not relate to them, however reprimand them. Mother Courage is depicted as a solid, clever, impressive lady whose sole design is to give a living to both herself and her youngsters. She is a conciliatory character and her adoration for her kids attracts a group of people to like her. What keeps the crowd from understanding her will be her amazingly conflicting nature. While pulling out a blade at the Sergeant and Recruiting Officer to ensure her kids, Courage calls alludes to herself and her kids as serene sorts. The Sergeants cool answer of your blade shows the sort you are further shows Courages logical inconsistencies. (Brecht 2004: 715) When sending her little girl Kattrin into town with the Clerk, Courage advises her not to stress and that nothing will occur, however upon Kattrins return where she is injured, Courage claims she ought to never have released her. When contending with the Cook over a potential move to Utrecht, Courage attempts to end the discussion with no more, just to proceed with it herself minutes after the fact. In a similar scene, Courage supports Kattrin for the two to go with the Cook to run his bar in Utrecht since life out and about is such an actual existence, however after she sees Kattrin attempting to flee she rapidly turns on the Cook and questions what she and Kattrin could ever do in a bar. Obviously the best logical inconsistency of all through the play is Courages steady analysis of the war off of which she makes her living. It is this opposing nature of Courages which continually reminds the crowd to see the charac ter from a separation, break down her as it were, and not identify with her circumstance. Had Mother Courage been introduced as a completely adjusted character, the crowd would have been enticed to understand; her introduction as an incomprehensible character assists with shocking the crowd into a response. (Filter 1994: 136) Mother Courage isn't the main character in the play that is given a particular characteristic to keep the crowd understanding getting genuinely engaged with her. Her children Eilif and Swiss Cheese are both murdered in the play, and it is a direct result of their imperfections that they are executed. Her oldest child, Eilif, is solid and insightful, however his strength costs him his life. Her more youthful child, Swiss Cheese, is basic and legitimate, yet he also is directed to his passing in light of his idiocy. The crowd are continually reminded all through the play by Mother Courage that her kids have these attributes. I have another who is stupid however fair is only one case of Brecht giving Mother Courage a particular line for two reasons: both to help the crowd to remember the conundrums each character has, to prevent them from being understood, and to help the epic thought of the play that every scene ought to be its own. It is much of the time found in Brechts plays for an off-stage characters nonappearance to be clarified through a dramatic characters discourse. (ref) Robert Leach contends that for Brecht, character is just of enthusiasm for so far as it enlightens the short lived occasion which gives the essayist, or the entertainer, with a usable signal. Leach is stating that for Brecht, the character is just a capacity to the more noteworthy social and efficient powers which control and shape the world (inside the developed reality that are his plays), and that the entertainers, while depicting characters, can utilize them as instruments to show the impact of these more noteworthy social ramifications. This can be connected to Brechts perception in the article Theater for Pleasure or Theater for Instruction that on-screen characters also shunned turning out completely into their job as in addition to the fact that actors did so to welcome analysis from the crowd of their characters, not exclusively to distract from the individual and spot it on the social, yet to likewise show that the characters are basically useful to the social. Another of Brechts fundamental points was to not concentrate on the individual feelings of the character, yet to investigate and show the significance of the more prominent social ramifications. In Mother Courage and Her Children, accentuation isn't put on the choices the characters make yet the get-togethers which direct the activity of the play. War, religion and family are three primary subjects which go through Mother Courage and Her Children, and eventually the destiny of each character is dictated by these topics. Not at all like naturalistic plays where accentuation is normally positioned on the person, in Mother Courage and Her Children Brecht centers around the connection between the social ramifications and the characters of the play. The entirety of the characters in the play are connected together by these subjects, and their failure to change their individual (or on account of Courage and her kids, consolidated) circumstances. (Models) Brecht has made Mother Courage as t he focal character of the play, but since it isn't just her, however all the characters that are influenced by the war, the onlookers center is neither around the focal character Mother Courage nor any of the character. The observers center is drawn, by connecting the characters and making them unfit to change their circumstances, to the supplanting social subjects introduced in the play. Brecht loved the idea that epic performance center took into consideration bounces in time, and this is reflected in Mother Courage and Her Children. There is a hop in time between every scene of the play, normally a year or two, and the consistent bends and hops in the play the rationalization approach consider Brecht to show a procedure and impacts after some time as opposed to one specific purpose of time and its individual impact on characters. (Brooker 1994: 189) These hops in time additionally permit the play to be epic as in they permit every scene to stand freely. The bounces in time likewise go connected at the hip with Brechts thought that with epic theater, the crowd ought to be looking with eyes on the course as opposed to eyes on the completion. Swiss Cheeses demise and Mother Courages refusal to concede the body is his is one of the most extraordinary snapshots of the whole play, however it comes as ahead of schedule as Scene Three. Additionally, the hops in time show m an as a procedure instead of man as a fixed point. Instead of concentrating on the focal character (Mother Courage) at one specific point, Brecht draws out the play with the goal that the crowd see Courages procedure and advancement as a character subject to the social and political conditions. The finish of the play sees Mother Courage, presently totally alone; stroll with warriors who are singing a similar melody that is sung in the preface, helping the crowd to remember the procedure that has started from the earliest starting point of the play and the impact it has had all through. The bounces in time between every scene of Mother Courage and Her Children are commonplace of Brechts mean to get the crowd to take a gander at the occasions that have occurred from a more broad timeframe instead of a particular point. One of the key pieces of Brechts hypothesis on theater was that the crowd ought to continually realize that what they are viewing isn't reality yet a development being introduced in front of an audience. Thusly, Brecht could show to his crowd that what they were viewing was not reality but rather an introduced picture of the real world, and that could move change. To this end Brecht utilized a few procedures in a large number of his plays (counting Mother Courage and Her Children) wh

Emergence and Development of Stem Cell Research Paper

Rise and Development of Stem Cell - Research Paper Example Two fundamental wellsprings of immature microorganisms incorporate undeveloped organisms during the early period of early stage improvement and grown-up undifferentiated organisms. Strangely, restriction to undifferentiated organism look into isn't uniform for early stage and grown-up undeveloped cells. The greater part of the guidelines over the world are strong of grown-up undifferentiated organism look into yet fluctuates massively for undeveloped foundational microorganism inquire about. For example, in the United States, undifferentiated cell look into on examines proposing to utilize creature wellsprings of grown-up immature microorganisms, early stage foundational microorganisms or early stage germ cell lines don't have any limitations and are governmentally supported, in contrast to human undeveloped immature microorganism (hESC) inquire about (Downing, 2003). 3.1. Rise and advancement of undeveloped cell look into: In the US, numerous Christian gatherings fought President Bu sh’s beginning choice with respect to examine on human early stage immature microorganisms, which brought about denying further research on explore. Despite the fact that this comforted the ministers and different strict figures in the US, this choice likewise got a lot of resistance from different strict gatherings inside the US and different pieces of the world. Albeit strict gatherings communicated fulfillment over the President’s choice to pull back help for look into on hESCs, they additionally hated control of existing undeveloped cells for inquire about purposes (Petersen, 2003). Research morals worried about ESCs are generally about the technique for inferring sound human incipient organisms and their ethical status during beginning periods that convey various perspectives in various religions (McLaren 2007). These distinctions have been the purposes behind the vast majority of the moral discussion about ESC investigate. 3.2. Limitations and impediments on undi fferentiated organism investigate: After President Bush passed the bill on hESC look into in 2001, subsidizing limitations were likewise forced on this angle as a feature of his crusade guarantee made to the residents of the US that their cash would not be utilized for undeveloped cell inquire about purposes (Stolberg, 2001). As a response to this, states like California, Connecticut, Illinois, Iowa, Maryland, Massachusetts, New Jersey and New York authorized autonomous financing frameworks (Frost and Sullivan, 2008). Guidelines forced on hESCs and grown-up undeveloped cells are diverse in various nations. The strategies on hESC inquire about in the United States are increasingly liberal, similar to that of Germany, Spain, France, and Canada; yet the approaches in the United Kingdom, China, Japan, and Israel are considerably more liberal than that of the United States (Herring, 2006). Proof of the measure of research shows that grown-up foundational microorganism preliminaries have been increasingly fruitful in the greater part of the nations that energize and bolster undifferentiated organism look into. Results of these analysts on grown-up foundational microorganisms have been applied to treat numerous infections, birth absconds, malignant growths, serious heart-related issues and so forth (Herring, 2006). This proof just demonstrates the degree of headway in grown-up foundational microorganism research and application in different nations over the world.

Les Miserables Essays (639 words) - Les Misrables,

Les Miserables Les Miserables referred to in English as The Terrible is a melodic depiction of the French Revolution. It is a melodic catastrophe, which filled in as a significant powerhouse contender for Andrew Lloyd Weber musicals in the mid eighties and nineties. At the point when initially appearing on Broadway in 1987 it voyaged a long hard street to contend with musicals of the decade. Nonetheless, in time some notable entertainers were glad to connect themselves with this brilliant gem. The melodic play starts with its lead character named Jean Valjean. Jean Valjean was discharged on parole following 19 years on the bunch of convicts. In this underlying scene the crowd can very quickly feel the tonality of the play with the consistent reference to the number 24601. 24601 were the jail number that became Jean Valjean's personality for a long time. The dull and horrid climate set the tone for the primary melody of the lyrics, Look Down. The verses to look down concur with the group of prisoners, supervised by fierce meanders, working in the hot sun. It is this arrangement of tunes in Act one that take the crowd through numerous turns of sentiments and feelings. These passionate melodies are utilized to depict poor people working in low class industrial facilities, ladies selling their bodies and all the more critically a class of individuals battling to scratch by. The most clear melodies used to recognize the different topics of neediness and prostitution are Lovely Women, A Heart Full of Love, and Master of The House. In addition, it is a tune titled Do You Hear the People Sing? That readies the crowd for the completion of Act one. Most if not all of Act one uses melody, tonality, character, pitch and tone to portray the different topics of the play while the story is starting to unwind. Consistently and last act the melodic substance inside the play goes about as it's very own account through subject and variety. Each different melody speaks to an inclination as well as temperament and is improved as it is changed all through the act. Like the primary demonstration, the melodies are utilized to depict destitution, languishing, hardships, and even passing. Notwithstanding, in contrast to the principal demonstration, there is additionally a topic of affection and bliss. Conclusion is achieved with a feeling of warmth and this is frequently heard through the presentation of the rhythm. At the point when the circumstances were difficult the rhythm diminished and was frequently moderate and horrible like. At the point when upbeat occasions were realized, the rhythm expanded to a routine goodbye. The last melody of the melodic truly unites the entire story. The last details are tied also, the crowd's hearts are left charmed and moved. This melodic would not be finished without the sensation of the entertainers. It is each singular entertainer that carries tune into the story. Every one of the eight primary characters speaks to, one might say, their own subject and inspiration towards the story. Without these characters the notes and harmonies wouldn't realize any music. It would only be melody without emotions or words. Every one of them sings to sing to us in their own distinctive manner and represent their job inside the story. Together these two significant thoughts make this play a phenomenal melodic. My individual response to this melodic was shockingly a decent one. When my sweetheart initially disclosed to me that we were going to see a Broadway play I wasn't at first energized. Be that as it may, after pretty much 30 minutes into the initial demonstration I was starting to perceive and appreciate melodic terms that we had examined in class. I at that point chose to be receptive and consider melodic as well as additionally dramatic happenings of the story. It was stunning to have the option to hear the beat change, the timbre (tone shading), and furthermore recognize the topic and variety. It was frequently hard to comprehend the drama like way to deal with the play yet all you required was a decent ear and absolute fixation. I found that I as a matter of fact delighted in Les Miserables and I wouldn't rush to state no to another.

Crimes are caused by social deprivation

Myths and Reality of Crime The contemporary justice system is more focused on street crimes and often ignores crimes of powerful, including state, corporate, and white-collar crimes. It is much more significant problem that should be solved by authorities. Let us imagine just for a moment that we addressed to 100 strangers, asking them to describe their opinion of crime and attitude to street and crimes of powerful. When taking these directions into account, it is easily predictable that at least 70-75% of respondents are more likely to speak out for revealing and punishment for state, corporate, and white-collar crimes rather than for simple street crimes, although people are afraid of street crimes more, as these issues can happen to everyone in relation to their material interests, health, or even life. That is why the majority of respondents will support implementing the preventing measures against street crimes more than white collar and state crimes as they are not related to them directly. The negative attitude to the crimes of powerful is observed in the society, but people mostly do not know these persons, and it creates the room to the common myths. The most significant of them are: â€Å"powerful are allowed everything† and â€Å"none can do anything† to prevent crime acts at the highest level. The myth of the so-called â€Å"allowed† crime goes back to the Middle Ages, when in Europe, especially in the UK, kings, queens, and lords, as well as the pontific and bishops, were granted the undeniable power. For instance, in Great Britain, some of the elite representatives were granted the right of the â€Å"first night†. Certainly, nowadays it is an unacceptable right, but then it was treated as normal among peasants who had got used to their role as the representatives of the â€Å"lower class†. â€Å"The jus primae noctis was, in the European late medieval context, a widespread popular belief in an ancient privilege of the lord of the manor to share the wedding bed with his peasants’ brides† (Wettlaufer, 2000, p.111). The lords showed symbolic gestures, followed by the â€Å"humiliating signs of superiority over the dependent peasants in the fifteenth century, a time of diminishing status differences†, trying to display their power, based on â€Å"the psychology of coercive social dominance, male competition, and male desire for sexual variety† (Wettlaufer, 2000, p.111). It could be regarded as a crime, like a rape, but none of the victims cou ld even try to report about it and deny this cruel custom. It proves that at various stages of its development, society defined the concept of â€Å"crime† differently. What now is regarded as crime was not a crime at all in the past centuries, and otherwise. The definitions of crime in contemporary judicial practice are created in a way of reworking and developing some moral values, traditions, and customs that are independent variables, as they can remain almost the same through the centuries. In most cases, the society decides what to define as unintentional crime in relation to their religious beliefs, moral values, everyday practical life, imagination, plans and views for future, etc. The government plays just an intermediary role between the members of the society with the opinions of crime acts and contemporary legislation and judicial system.   In the contemporary society, there is a common thought that crimes, in most cases, are caused by social deprivation. Many people naively think that crimes are commonly committed by poor people with lack of opportunities, or by those who experience a significant gap between aspiration and reality. In any case, it is just a myth, and truly, many crimes are committed by wealthy people of status and power: â€Å"We know that companies   and government institutions kill more people, maim more people, injure more people, steal from more people than all other forms of crime together† (Whyte) This type of crimes committed by people with wealth and status was first called â€Å"white-collar crime† by Edwin Sutherland   who first focused the attention of the society on this problem in symbolic form (Sutherland, 1949). This type of crimes is committed in a way of false accounting to steal from employees or hide taxes, stealing from the clients, etc. For instance, the case of m ultimillionaire Robert Maxwell, who had stolen millions of pounds from pension funds of his company, is not just impressive, but shocking. The other examples of state crimes of powerful are 2003 Iraq invasion that some researchers regard as â€Å"an international crime of aggression† (Whyte); pollution, lack of food, and unsafe situation in the country (explosion of BP Oil Refinery in Texas that happened in 2005 and killed 15 workers). In the latter case, senior management realized the danger of the situation, but they did nothing at all to warn people and inform them about the danger. The myth of committing crimes by poor people with lack of opportunities is difficult to abandon as the issues are mostly related to the street crimes that happen every day, especially in big cities. In any case, in some parts of the world, people are still facing with the problems of crimes against humanity, like poor living and even hunger, initiated by the government. When going back to the history of the XXth century, hungers were initiated in Ukraine by the Soviet Union. Nowadays, people experience hunger in Africa. The â€Å"invisibility of crimes of the powerful† is a â€Å"result of the process of constructing of valid criminological knowledge, this is not simply a self-contained disciplinary weakness in criminology†, but â€Å"the production of academic knowledge† that is â€Å"mediated by political decision making† (Whyte, 2003, p. 15). It gives all reasons to future researches in this field. Buy  Academic Ghostwriting Services  Ã‚  from  the most professional writers specializing in specific fields of study.

Transformation And Electrophoresis Lab Report - 1750 Words

Singee Nguyen Transformation and Electrophoresis Lab Report Purposes Discuss the principles of bacterial transformation. Describe how to prepare competent E. coli cells. Discuss the mechanisms of gene transfer using plasmid vectors. Discuss the transfer of antibiotic resistance genes and tell how to select positively for transformed cells that are antibiotic resistant. Discuss the mechanisms of action for restriction endonucleases. Discuss how a plasmid can be engineered to include a piece of foreign DNA that alters the phenotype of transformed cells. Understand and be able to explain the principles of electrophoresis as they pertain to separating and identifying DNA fragments. Hypothesis If genetic transformation allows the insertion of a gene into an organism to gain the trait that the inserted gene codes for, then when 250  µl of transformation solution(CaCl2) and 2-4 colonies of bacteria, E. coli, are added to two micro test tubes, labelled +pGLO and –pGLO, with a loopful of pGLO DNA solution in the +pGLO tube, and are incubated for 10 minutes, then transferred to a 42 ºC heat bath for exactly 50 seconds, and then incubated in ice again for 2 minutes for a heat shock, and then have 250  µl of LB nutrient broth, and lastly 100  µl of the solutions spread across the surfaces of 4 LB nutrient agar plates, LB/amp, LB/amp/ara, LB/amp, and LB, with +pGLO, +pGLO, –pGLO, and –pGLO used, respectively, the plates with the –pGLO solution will not glow under a UV light after they haveShow MoreRelatedEssay on Pglo Transformation Lab Report1486 Words   |  6 PagesTransformation Lab Report Introduction Transformation is the transfers of virulence from one cell to another, through the transferring of genetic material. 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H.P. Lovecraft and Gothic Literature free essay sample

H. P. Lovecraft Gothic fiction has never been lacking in prolificacy. From Edgar Allen Poe to Stephen King, this haunting literary class has yielded innumerable works of timeless creativity and imagination. Just as works from all genres exploit some emotion of the reader, Gothic fiction utilizes horror and shock. Many writings of the genre play on substantial, concrete fears, like murder; however, the works of one agent of this dark literary philosophy go beyond specific, rationalizable phobias. This writer was Howard Philips Lovecraft, and the focus of his stories rarely consisted of the mundane and terrestrial. He employed a different kind of fear in his works; a fear of what the reader can’t, or possibly shouldn’t, understand. As he stated in his study of the Gothic Horror genre, Supernatural Horror in Literature, â€Å"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. We will write a custom essay sample on H.P. Lovecraft and Gothic Literature or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Lovecraft is known for weaving stories with otherworldly elements, be it an immortal alien god (The Call of Cthulhu) or a reptilian precursor civilization (The Nameless City). He had a knack for reminding us that we are insignificant in the grand scheme of things; usually through the implication of unfathomable forces that wouldn’t think twice about eradicating mankind. These horrifying evils that act as hopelessly powerful antagonists are a common theme across Lovecraft’s tales, as are their obscurity to the general populace of his stories. Lovecraft’s portrayal of a society that is blissfully unaware of its own fragility is often paired with a single protagonist that is drawn into events that are incomprehensibly epic in scope. If this poor witness to Lovecraft’s horrors survives with some of their sanity intact, their attempts to warn civilization of those perils are met with ignorance and disbelief. In these stories, humanity has no hope for survival against the eldritch abominations that lie beneath the depths of the ocean and beyond the expanses of space. This is horror on a civilizational scale – rather than simply fear for the protagonist, the reader fears for mankind. Lovecraft’s message, in the end, always seems to imply that humanity is better off oblivious to its condemned fate. The fates of characters that learn of the horrific forces at work beyond the veil of human perception often reflect this concept. In The Rats in the Walls, a man is driven to insanity and cannibalism when he learns of his ancestors’ dark past and in The Call of Cthulhu a sailor goes insane and dies after looking directly at the submarine, monstrous, demigod Cthulhu. A character’s curiosity is often their downfall, and very rarely does it not cost them their lives or their minds. One exception might be the protagonists of The Dunwich Horror, in which three professors defeat an abomination summoned by local townspeople, literally sending it crying back to its celestial father. Triumphs like this are rare in Lovecraft’s works, and usually come at a great cost. H. P. Lovecraft employed fascinating lore and mystery in his short stories and novellas, using fantasies of ancient secrets and forgotten history. His writing has remained relevant for almost a century, largely due to his unique use of the epic and the occult. Lovecraft’s writing style was unprecedented even by his idol, Edgar Allen Poe, and it has influenced countless modern writers including Stephen King and Neil Gaiman. He is said to have pioneered – or even created – the genres of cosmic horror and weird fiction, and elements of his literature can be found throughout modern culture. From a Black Sabbath song based on a Lovecraft story (Beyond the Wall of Sleep) to a popular video game bearing the name of a Lovecraftian city (Batman: Arkham City), his influence can be seen in all walks of life. It’s no surprise; Lovecraft’s writing is epic in scope, and captivating to read. It is exceptional in that Lovecraft created a saga like no other author has; a universe in which mankind inhabits an anthill on a cosmic driveway.

MBA Essay Samples Strengths and Weaknesses

MBA Essay Samples Strengths and WeaknessesLooking for MBA essay samples strengths and weaknesses? Preparing an MBA thesis can be hard work but the right writing will set you apart from your classmates. With the right samples, your arguments will be strong enough to withstand any critique that might come your way.The most common argument made by students when writing a thesis is that an MBA is hard to obtain, expensive, and difficult to get a job with. Since so many people have it, it must be good, right? That is why writing an essay about how hard it is to acquire an MBA is a surefire way to get laughed out of class.Yes, many people think it is difficult to get an MBA, but those who do get it are compensated well. MBA graduates, unlike those without an MBA, often have their choice of jobs. Even those without a degree, often find their dream job within six months after graduation.So, how should you frame your writing? Your argument must be convincing enough to convince those who disag ree with you that they are wrong. While this is harder to do, an MBA student has a few options that they can use to help them out.If you want to impress your instructors, go for the essay samples strengths and weaknesses. If you are doing it just for yourself, consider having a great dissertation advisor or thesis committee member write it for you. This can make it easier to write because you can keep in mind what you were trying to accomplish.When preparing your essay, you need to know where you are going with it and make sure to set up all the elements. Do not waste time on test components that have no bearing on the thesis statement. Know what the purpose of the exam is and keep in mind what your final goals are for the essay. As long as you know these things, then your essays will be stronger.While some people feel that they cannot fit into the time schedule required for an MBA, others do not realize how much time it takes to research and prepare. This is one of the reasons why it is important to know how to format your essays before the deadlines. It can also be very beneficial to have a mentor to review your work.A strong essay makes the grade, no matter the topic. To show your strength, use an essay sample strengths and weaknesses.